- Gemma Frisius. Drawing
of a Camera Obscura. 1544. Gernsheim Collection, Austin, Texas.
- Nicéphore Niépce. View
From The Window At Gras. circa 1827. Heliograph. Gernheim
Collection, Harry Ransom Humanities Research Center, The University
of Texas at Austin.
- T.-H. Maurisset. La
Daguerréotypomanie. 1840. Lithograph. Gisèle
Freund archives.
- William Henry Fox Talbot. Lacock
Abbey. 1839. Photogenic drawing. The Metropolitan Museum of
Art, New York.
- Eadweard Muybridge. Galloping
Horse. 1878. Albumen print. George Eastman House, Rochester,
N.Y.
- Unknown Photographer. Alice
and the Fairies. 1917. Brotherton Collection, Leeds University
Library.
- Unknown photographer. Reverend Tweedle and Spirits. Photography
Collection, Harry Ransom Humanities Research Center, The University
of Texas at Austin.
- Camille Silvy. River
Scene, France. 1858. Gold-toned albumen print from two collodion-on-glass
negatives.
Gustave Le Gray. The
Great Wave - Cette. 1856. Combination albumen print. Collection
Paul F. Walter, New York; on extended loan to The Museum of Modern
Art, New York.
- Oscar Gustave Rejlander. The
Two Ways of Life. 1857. Combination albumen print. The Royal
Photographic Society, Bath, England.
Henry Peach Robinson. Fading
Away. 1858. Combination albumen print. George Eastman House,
Rochester, N.Y.
- John Heartfield. Gleiche Brüder Gleiche Mörder.
Photomontage. Kent Gallery, New York.
Lazlo Moholy-Nagy. Jealousy. 1927. Photomontage and ink. George
Eastman House, Rochester, N.Y.
- Harry Schunk. Yves
Klein: Leap into The Void. 1960. Gelatin-silver print.
- Jerry Ueslmann. Symbolic Mutations. 1961. Combination print.
The Museum of Modern Art, New York.
- Unknown photographer. Lenin's address to a crowd, May 5, 1920.
1920. Before and after retouching.
- "US
Senator Millard Tydings (right) and communist leader Earl Browder
(left)." 1951. Composite. Published in Life. AP/Wide
World Reports.
- Dorothea Lange. Migrant
Mother. 1936. Gelatin-silver print. The Museum of Modern Art,
New York.
- All: Dorothea Lange. "Migrant agricultural worker's family.
Seven children without food. Mother aged 32, father is a native Californian.
March 1936." Library of Congress, Washington, D.C.
- Joe Rosenthal. Raising
the Flag over Iwo Jima. 1945. Library of Congress, Washington,
D.C.
- Paul Higdon/NYT Pictures. "Sylvester Stallone and Groucho
Marx at Yalta."
- "Light!
Camera! Action!" Time. 1998.
- Esquire.
April 1998.
- "Battered
Nicole: Photos taken by her sister show how O.J. beat her up."
National Enquirer. 1995.
- "Egypt's
Desert of Promise." National Geographic. February
1982.
- "An
American Tragedy". Time. June 27, 1994. Photo-illustration
by Matt Mahurin.
- ...
- "Trail
of Blood." Newsweek. June 27, 1994. Photo by Los Angeles
Police Department.
- "Fire on Ice". New York Newsday. February 16, 1994.
- "Digital Forgery Can Create Photographic Evidence for Events
that Never Happened". Scientific American. Feb. 1994.
Computer art by Jack Harris/ Visual Logic.
- "Creating the Cover Image". Scientific American,
Feb. 1994, p. 72. Computer art by Jack Harris/ Visual Logic.
- "The
New Face of America". Time. Special issue Fall 1993,
vol. 142, no. 21. Photographs for Time by Ted Thai. Morphing
by Kin Wah Lam, Time imaging specialist.
- Hiro. "An
Extraordinary Image of Great American Beauty". Mirabella.
September 1994.
- Visual Science Laboratory. "Kyoko Date, the first 'virtual
idol'". 1996.
- Keith Cottingham. Untitled
(Single), Untitled
(Double), Untitled
(Triple) from the Fictitious Portraits series. 1992.
Digitally constructed color photographs. Fine Arts, New York.
- "What
Michelle Pfeiffer Needs... Is Absolutely Nothing". Esquire.
December 1990. Digitally retouched.
- Purchase
order from Diane Scott Associates, Inc. 1990. Reprinted from Adbusters
Quarterly, 1995, p.9.
- Moisei Nappelbaum. Stalin. 1924 and 1939.
- George Hurrell. Marion
Davies. 1938. Sherilyn
Fenn. 1993.
- Advertisement for Extensis Mask Pro 2.0. 1999.
- Poster for the movie Pretty
Woman. 1989.
- AP Photo/files. "Oprah
Winfrey! The Richest Woman on TV?" TV Guide. August
26, 1989. Digital photomontage.
- Seb Janiak/Creative Exchange Agency. Digital Naomi. 1997.
Originally produced for Stern/Konr premiere issue. ELLE (French
edition). January 20, 1997. American
Photo. November/December 1997.
- DR/Photo "Officiel:
Ernst reçu à Monaco." Paris Match, No.
2550. April 9, 1998. Bunte, Oggi, April 1998.
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